With thirty-four sites, Mexico has more sites on the UNESCO World Heritage list than any other country in the Americas; most of the sites pertain to Mexico’s architectural history. Mesoamerican architecture in Mexico is best known for its public, ceremonial, and urban monumental buildings and structures, several of which are the largest monuments in the world. Mesoamerican architecture is divided into three eras, Pre-Classic, Classic, and Post-Classic. Architect Frank Lloyd Wright is reputed to have declared the Puuc-style architecture of the Maya as the best in the Western Hemisphere.[16]
The New Spanish Baroque dominated in early colonial Mexico. During the late 17th century to 1750, one of Mexico’s most popular architectural styles was Mexican Churrigueresque, which combined Amerindian and Moorish decorative influences.
The Academy of San Carlos, founded in 1788, was the first major art academy in the Americas. The academy promoted Neoclassicism, focusing on Greek and Roman art and architecture. Notable Neoclassical works include the Hospicio Cabañas, a world heritage site, and the Palacio de Minería, both by Spanish Mexican architect Manuel Tolsá.
From 1864 to 1867, during the Second Mexican Empire, Maximilian I was installed as emperor of Mexico. His architectural legacy lies in the redesigning of the Castillo de Chapultepec and creating the Paseo de la Reforma. This intervention, financed largely by France, was brief, but it began a period of French influence in architecture and culture. The style was emphasized during the presidency of Porfirio Diaz, who was a pronounced francophile. Notable works from the Porfiriato include the Palacio de Correos and a large network of railways.
After the Mexican Revolution in 1917, idealization of the indigenous and the traditional symbolized attempts to reach into the past and retrieve what had been lost in the race toward modernization.
Functionalism, expressionism, and other schools left their imprint on a large number of works in which Mexican stylistic elements have been combined with European and American techniques, most notably the work of Pritzker Prize winner Luis Barragán. His personal home, the Luis Barragán House and Studio, is a World Heritage Site.
Enrique Norten, the founder of TEN Arquitectos, has been awarded several honors for his work in modern architecture. His work expresses a modernity that reinforces the government’s desire to present a new image of Mexico as an industrialized country with a global presence.
Other notable and emerging contemporary architects include Mario Schjetnan, Michel Rojkind, Isaac Broid Zajman, Bernardo Gómez-Pimienta, and Alberto Kalach.
